幼い頃の夢は中華まんになることだった。今の私は大切だったその夢に対してどうアプローチするべきなのか。

透明なのにその存在にぱっと目がいって中身をぼやかしてしまう表皮とずっと変わらないはずなのに掴み所のない中身の関係。

制作過程では型になったり形になったりを何度も繰り返して姿を変えていく。その過程はある種、人間の消化のメカニズムに似ていた。 そして最後に現れた彫刻は座布団の上にどっしりと鎮座する中身がみちみちに詰まった肉まんで。自分の起源に少し近づいた気がした。​

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みちみちの肉まん 

2021

800×800×400(mm)

FRP、エポキシ樹脂

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My childhood dream was to become a Chinese bun. How should I approach that dream that was so important to me now?

 

The relationship between the epidermis, which is transparent but can be seen at a glance and obscures the contents, and the contents, which are supposed to remain the same but are elusive.

 

During the production process, the piece changes shape and form over and over again. In a way, this process is similar to the mechanism of human digestion. The last sculpture that appeared was a steamed meat bun sitting on a cushion.I felt like I was getting a little closer to my origins.

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Michimichi's meat bun

2021

800×800×400(mm)

FRP, epoxy resin